bergman criterion uk
Shot on 16 mm in intense, intimate close-ups by cinematographer Sven Nykvist and featuring flawless performances by Ullmann and Josephson, Bergman’s emotional X-ray reveals the intense joys and pains of a complex bond. With The Magician, an engaging, brilliantly conceived tale of chicanery that doubles as a symbolic portrait of the artist as a deceiver, Ingmar Bergman proved himself to be one of cinema’s premier illusionists. Midway through his time in Germany, Bergman returned to Fårö for his second documentary exploration of the remote Swedish island he loved and the socio­economic realities experienced by those who lived there. Highly recommended. In The Touch, a chance encounter between seemingly contented housewife Karin (Bibi Andersson) and David (Elliott Gould), an intense American archaeologist scarred by his family’s past, leads to the initiation of a torrid and tempestuous affair, one that eventually threatens the stability of Karin’s marriage to a respected local surgeon (Max von Sydow). Staged on bare sets and shot almost entirely in close-up, The Rite condenses a decade’s worth of cinematic exploration into seventy-five tense, unsettling minutes. 10 new Grave and witty by turns, Dreams develops into a probing study of the psychology of desire. Ingmar Bergman presents the battle of the sexes as a ramshackle, grotesque carnival of humiliation in Sawdust and Tinsel, one of the master’s most vivid early works and his first of many collaborations with the great cinematographer Sven Nykvist. Casting some of Europe’s finest soloists—Josef Köstlinger, Ulrik Cold, Håkan Hagegård, and Birgit Nordin among them—the director lovingly recreated the baroque theater of Sweden’s Drottningholm Palace to stage the story of the prince Tamino and his zestful sidekick Papageno, who are sent on a mission to save a beautiful princess from the clutches of evil. Businessman Peter nurses fantasies of killing his wife, Katarina, until a prostitute becomes his surrogate prey. A film that the director considered a creative turning point, Summer Interlude is a reverie about life and death that unites Bergman’s love of theater and cinema. In the 1978 British television documentary Ingmar Bergman at 60, Bergman describes spying a brown package among the gifts piled under the staircase one childhood Christmas season and knowing, by the shape and weight of it, exactly what lay inside—a film projector. With his first English-language film, a critical and box-office disaster, Ingmar Bergman delivered a compelling portrait of conflicting desires. The strangest and most disturbing of the films Ingmar Bergman shot on the island of Fårö, Hour of the Wolf stars Max von Sydow as a haunted painter living in voluntary exile with his wife (Liv Ullmann). Our goal is to inspire you to make interesting connections—and, to paraphrase Bergman, as many of them as possible. Seven Samurai (Blu-ray) $ 49 ... $ 99.95 $ 65.99 Check it out; Häxan (Blu-ray) $ 39.95 $ 27.99 Check it out; Home Video Resources. The strangest and most disturbing of the films Ingmar Bergman shot on the island of Fårö, Hour of the Wolf stars Max von Sydow as a haunted painter living in voluntary exile with his wife (Liv Ullmann). As she drifts in and out of lucidity, Karin’s father, her husband (Max von Sydow), and her younger brother (Lars Passgård) are unable to prevent her descent into the abyss of mental illness. Longer, more optimistic, and less ascetic than its predecessor, this film charts a calendar year in the life of the island’s 673 inhabitants, many of whom he observes working tirelessly shearing sheep, thatching roofs, and slaughtering livestock, as well as going about various communal rituals. The film revealed Bergman to be a sensitive and masterly documentarian. Interspersed among those five programs are nineteen others that present double features and individual titles, several of them previously released by Criterion (such as Summer with Monika, The Magician, and Autumn Sonata) and many of them new to the collection (A Lesson in Love, Brink of Life, and From the Life of the Marionettes, to name a few). A podcast network and website Inspired by the earthy eroticism of Harriet Andersson, in the first of many roles for him, Ingmar Bergman turned in this work of stunning maturity, a sensual and ravaging tale of young love. All These Women, in which Bergman pokes fun at the pretensions of drawing-room art, possesses a distinctly playful atmosphere and carefree cadences. Originally conceived as a five-hour, six-part television miniseries, the film is also presented in its three-hour theatrical cut. The beautifully photographed Winter Light is an unsettling look at the human craving for personal validation in a world seemingly abandoned by God. This gripping film is charged with a nightmarish power rare in the Bergman canon, and contains dreamlike effects that brilliantly underscore the tale’s horrific elements. Amid the chaos of the military struggle, vividly evoked by pyrotechnics and by cinematographer Sven Nykvist’s handheld camera work, the two are faced with impossible moral choices that tear at the fabric of their relationship. In the main section, you’ll find a chapter on each program in the series. This treasure trove of materials comprises two short documentaries by Bergman, six audio commentaries, thirteen other documentaries, thirty-three archival and recently recorded interviews, five video essays, and eleven introductions to the films by the director himself. One of Ingmar Bergman’s most satisfying marital comedies, A Lesson in Love stars the droll and sparkling duo of Eva Dahlbeck and Gunnar Björnstrand as a couple deep into their married years and seeking fresh pastures. Starring Max von Sydow and photographed by the brilliant Sven Nykvist, the film is both beautiful and cruel in its depiction of a world teetering between paganism and Christianity. An undeniably personal work for Ingmar Bergman, To Joy is a compelling tale of a young man’s struggle with the demons standing in the way of his happiness.

This film, which contains some of the most devastating scenes in Bergman’s oeuvre, shows the impact of war on individual lives.

Ingmar Bergman intended Fanny and Alexander as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Björnstrand’s gynecologist falls for one of his patients (Yvonne Lombard), while his wife flounces off to Copenhagen to renew her fling with a sculptor (Åke Grönberg). As Criterion producer Karen Stetler learned while working on our new edition, this adaptation of H. G. Wells’s sci-fi novel was a career milestone for a wide range of talent, from director Byron Haskin to feline performer Orangey. With this confident and disciplined feature, his fifth, Bergman tackled moral and social issues head-on. etc.) This retrospective is accompanied by a book that aims to enrich your experience of watching the films. Max von Sydow and Liv Ullmann star as musicians living in quiet retreat on a remote island farm, until the civil war that drove them from the city catches up with them there. With this dark and multilayered drama, sustained by biting dialogue, Ingmar Bergman began to reveal his profound understanding of the female psyche.

When he is asked to assuage a troubled parishioner’s (Max von Sydow) debilitating fear of nuclear annihilation, Tomas is terrified to find that he can provide nothing but his own doubt. When pairing and ordering these films, we thought not necessarily chronologically but in a way that we hope will be thought-provoking—making thematic links, showing both how Bergman developed as an artist and how many of his preoccupations (love, death, faith, intergenerational relationships) remained constant throughout his life. Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. At the height of his international acclaim, Ingmar Bergman followed two meditations on death, The Seventh Seal and Wild Strawberries, with an examination of the mystery and pain of birth.

Inevitably, it is not long before the pair are forced to return to reality. When the couple are invited to a nearby castle for dinner, things start to go wrong with a vengeance, as a coven of sinister aristocrats hastens the artist’s psychological deterioration. A girl (Andersson) and boy (Lars Ekborg) from working-class families in Stockholm run away from home to spend a secluded, romantic summer at the beach.

Bergman once remarked, “I have really thought a lot about where the pressing need to express myself all the time comes from, what it is that actually drives me. A chamber piece performed by four wounded characters and suffused with disappointment and forgiveness, Saraband is a generous farewell to cinema from one of its greatest artists. In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. Chock-full of flirtatious propositions and sharp witticisms delivered by such Swedish screen legends as Gunnar Björnstrand and Harriet Andersson, Smiles of a Summer Night is one of cinema’s great erotic comedies. In Fårö Document, shot on handheld 16 mm by Sven Nykvist, Bergman interviews a variety of locals, in the process laying bare the generational divide between young residents eager to leave the island and older people more deeply rooted in bucolic tradition. This intimate chamber drama, set in a maternity ward, follows the emotional crises of three women as they grapple with motherhood. Nearby, the widowed musician Henrik (Börje Ahlstedt), Johan’s son from an earlier marriage, clutches desperately to his only child, the teenage Karin (Julia Dufvenius). This section includes some of our favorite essays from the body of writing on Bergman’s cinema that we have commissioned from scholars and critics over the past thirty years, as well as a fresh crop of new essays by writers from a wide variety of backgrounds and fields, each of whom contributes his or her unique voice to the ongoing discussion about Bergman’s body of work. With the box set Ingmar Bergman’s Cinema, releasing this November, the Criterion Collection is celebrating the director’s film work with a selection of thirty-nine of his features, including his directorial debut, Crisis (1946), and his farewell, Saraband (2003), completed three and a half years before his death, on July 30, 2007, at the age of eighty-nine.

The sharply written and impeccably performed After the Rehearsal, originally made for television, pares away all artifice to examine both the allure and the cost of a life in the theater.

What follows is one of Bergman’s darkest and most fearful visions, as the drowned-in-drink Abel and Max’s ex-wife, cabaret singer Manuela (Liv Ullmann), feel increasingly unwelcome in a menacing and destitute city, eyed by the police as well as a scientist with diabolical intentions. Although Summer with Monika was initially quietly received, its reputation gathered steam throughout the 1950s, and it became an international sensation. Traveling to accept an honorary degree, Professor Isak Borg—masterfully played by the veteran filmmaker and actor Victor Sjöström—is forced to face his past, come to terms with his faults, and make peace with the inevitability of his approaching death. Distilled from twenty-eight hours of material, Fårö Document 1979 is a lyrical depiction of life’s cyclical nature.

The family begins to unravel when the captain invites Sally to live on the ship, where she and Johannes form a tender connection.

from $197.71, 2 used from $197.63, Ingmar Bergman's Cinema (Criterion Collection), Ingmar Bergman’s Cinema [Criterion Collection] [Blu-ray]. Taking its title from Friedrich Schiller’s “Ode to Joy,” adapted by Beethoven for his Ninth Symphony, this tragic romance opens with a violinist, Stig (Stig Olin), learning of the sudden death of his wife, Marta (Maj-Britt Nilsson). While isolated together there, the women undergo a mysterious spiritual and emotional transference.


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