odilon redon facts
Despite the presence of some 170 paintings, pastels, and charcoal drawings, it is the one hundred or so prints here (most on loan from the Bibliothèque nationale) that dominate the proceedings. [24], Redon was the inspiration for Guy Maddin's 1995 short film Odilon Redon, or The Eye Like a Strange Balloon Mounts Toward Infinity. Lithograph. Odilon Redon, or The Eye Like a Strange Balloon Mounts Toward Infinity, "Odilon Redon: How Louisiana ancestry influenced his Symbolist art", City of Bordeaux, Extract from the register of birth records for the year 1840, from Odilon Redon's Légion of Honor File, "The Fitzwilliam Museum - Home | Online Resources | Online Exhibitions | Redon | About Odilon Redon | Childhood and Early Career", "Odilon Redon (1840-1916) | Vase au guerrier japonais | IMPRESSIONIST & MODERN ART Auction | 20th Century, Drawings & Watercolors | Christie's", "Odilon Redon | Press Images - Fondation Beyeler", "Musée d'Orsay: Odilon Redon Baroness Robert de Domecy", "Sotheby's Impressionist & Modern Art Evening Sale", "Odilon Redon: La littérature et la musique;", https://en.wikipedia.org/w/index.php?title=Odilon_Redon&oldid=986926316, French military personnel of the Franco-Prussian War, Pages using infobox artist with unknown parameters, Wikipedia articles with CANTIC identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with Léonore identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 3 November 2020, at 20:12.

My foot moves freely through the damp grass and I am inspired by the contact of the branch that my face grazes; the stones, the bushes, though filled with thorns, stop me only to converse with me and speak to me; and even in a dark, black wood, I love the storm, the abundant rain, the cold, the ice and the snow. Artwork analysis, large resolution images, user comments, interesting facts and much more. 1968), the text of which is in French.

Content is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using our website you accept our conditions of use of cookies to track data and create content (including advertising) based on your interest. At this time he replaced Paul Gauguin as a mentor of the young Nabis. we’re on social media and instant messengers, "What a pleasure to read in a quiet room with the window open onto the forest.". Failure to pass the entrance exams at Paris’ École des Beaux-Arts ended any plans for a career as an architect, although he briefly studied painting there under Jean-Léon Gérôme in 1864. National Gallery of Art, Rosenwald Collection, 1958.8.198.

In 1903 he was given the Legion of Honor. Redon started drawing as a young child, and at the age of 10 he was given a drawing prize at school.

Odilon Redon (1840 - 1916) Oil on cardboard mounted on panel 65,8 x 52,7 cm KM 103.098 Paintings History painting 20th century Dream world. His popularity increased when a catalogue of etchings and lithographs was published by André Mellerio in 1913 and that same year, he was given the largest single representation at the New York Armory Show. [20] His work represents an exploration of his internal feelings and psyche. He began the formal study of drawing at fifteen but, at his father's insistence, he changed to architecture. [22], The art historian Michael Gibson says that Redon began to want his works, even the ones darker in color and subject matter, to portray "the triumph of light over darkness."[23]. The next day I let the other source run, that of imagination, through the recollection of the forms and I was then reassured and appeased. In 1884 Redon became known in avant-garde literary circles through J. K. Huysman's symbolist novel Against the Grain, in which Huysman said Redon's drawings "were outside of any known category; most of them leap beyond the boundaries of painting, innovating a very special fantasy, a fantasy of sickness and delirium." Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled À rebours (Against Nature). He called his visionary works, conceived in shades of black, his noirs. He exhibited with the impressionists in Paris and with "The Twenty" in Brussels in 1886.

1900-10, (Princeton University Art Museum), Initiation to Study: Two Young Ladies (vers 1905) Dallas Museum of Art, oil on canvas 93 x 65 cm, Apparition, 1905–10, (Princeton University Art Museum), Chariot of Apollo, c. 1910 (Musée d'Orsay), Portrait of Violette Heymann, 1910 (Cleveland Museum of Art), Saint Sebastian, 1910–1912, (National Gallery of Art), Pandora, c. 1914 (Metropolitan Museum of Art). The mystery and evocativeness of Redon's drawings are described by Joris-Karl Huysmans in the following passage from the novel À rebours (1884): Those were the pictures bearing the signature: Odilon Redon.


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