the dowager marchioness townshend
She was regarded as the “high priestess” of historic garden design, best known for her triumphant restoration of the gardens at Hatfield House, the Cecil family’s Jacobean seat in Hertfordshire and her designs for the Prince of Wales’ gardens at Highgrove. Lord John Townshend (born 17 June 1962); he married Rachel Chapple in 1987 and they were divorced in 1991. 1819). British women filmmakers in the silent era, The Optical Lantern and Cinematograph Journal, Streifzüge Durch die Berliner Film- und Kinogeschichte, Innovating silent cinema: the papers of Hary & Roy Aitken, The Blues, Black Vaudeville, and the Silver Screen, 1912-1930s, Public Moving Image Archives and Research Centers, Margaret Herrick Library Digital Collections, Quellen zur Filmgeschichte und einiges anderes, Thanhouser Company Film Preservation, Inc, Damfinos: The International Buster Keaton Society, Falcon Lair: The Rudolph Valentino Homepage, Mary Pickford Institute for Film Education, Biblioteca Digital das Artes do Espetaculo, Western Silent Films Lobby Cards Collection, The Pneumatic Rolling-Sphere Carrier Delusion, The Rob Kozlowski Chicago Theater and Vintage Film Medicine Show, archive.org/details/edtisonmotionpic0007…, amazon.co.uk/Darkest-Hollywood-Exploring…, sahistory.org.za/arts-and-culture/timeli…. 106. col. 1073. Pingback: More from the Marchioness « The Bioscope, Welcome to The Bioscope, a blog on early and silent cinema, with an emphasis on research. Lady Joanna Agnes Townshend (born 19 August 1943); she married Jeremy Bradford, son of Commander George F.N. My Cousin, the Marchioness Townshend Posted on April 5 by N.J. Sneddon Gwladys Ethel Gwendoline Eugenie SUTHERST was born in July 1882 to the barrister Thomas Charles SUTHERST and his first wife Sarah LONGTOFT. “Interview with the Marchioness Townshend.” The Bioscope (30 July 1914): 429-431. People may call a man heartless, but they forget that perhaps he was generous once and gave his heart away. In the same interview, Townshend mentions that she had written “one or two costume plays” that remained unproduced because there was no interest in that genre. After the war Townshend devoted himself to the estate and to maintaining the Hall, parts of which were let out as apartments. He was not discerning, however, and his bills, while sometimes well considered were at other times thought to be hopeless and even useless. Sorry, your blog cannot share posts by email. 07 Sep. p.3c-d. Collection: Trove. Like her aunt Sara Jane SUTHERST, my 2x great grandmother, Gwladys was a gifted writer. Men like to compare women to lilies; but remember there are Tiger Lilies. In addition to these, Gwladys had produced a play Sir John and the Compriere in 1914, in London. He was, however, entitled to attend as a minor, seated behind the robed peers. Returning to the theme of British women filmmakers in the silent era, meet Gwladys, Marchioness of Townshend. The Marchioness of Townshend was a playwright, novelist and poet, as well as a celebrated socialite.

That is the kind of realism which appeals to the public and also has a certain educational influence.”, “You believe, then, in the educational value of the cinematograph?”, “Most decidely, and have always taken the greatest interest in that branch of the subject. His education was at Harrow School, where he contracted a near-fatal case of septicaemia caused by a cricket injury. It was under this agreement that Gwladys married the 6th Marquess Townshend on the 9th of August 1905.

We can only speculate about the films with which she was involved, but her opinions are interesting. During their marriage, the Marquess and Marchioness had two children together, George John Patrick Dominic TOWNSHEND the 7th Marquess Townshend and Lady Elizabeth Mary Gladys TOWNSHEND. The Bioscope review enthusiastically saw the film as “the work of an author who has imagination and a true appreciation of dramatic effect,” who especially understands the “requirements of the camera” while other scripts were only “made to order” (429-431). At the time, the longest known holder of a peerage, having passed the record, in March 2009, of 87 years and 104 days set by the 13th Lord Sinclair in 1863. With regard to dramas, I believe that every good play which is true to life has a certain educational influence, and I should like to think that the influence of my plays will be a good one. Lady Townshend’s views are of partiular interest, not only on account of the great success achieved by “The Convent Gate,” “The House of Mystery,” and “A Strong Man’s Love,” but by reason of the cordial reception given to the one act play now running at the Coliseum. While Mayor, she traveled to the United States in 1929, to help the city of Lynn, Massachusetts celebrate its tercentenary. The Esoteric Curiosa. Arrested for the assault, tried and convicted, Townshend pleaded that it was no more than Thynne's just deserts, and while popular opinion sided with him, it was a death-knell for his social standing. The 7th Marquess Townshend, who died on St George's Day aged 93, was a Norfolk landowner on a grand scale and a pioneer of commercial broadcasting as the founder chairman of Anglia Television; he was also the longest known holder of a British peerage, having been the fruit of a marriage which scandalised Edwardian England more than a century ago. Townshend, Dowager Marchioness of. I felt the fascination of this new form of silent drama, partly because of its great advantages in the way of stage setting and realism, and partly perhaps, because when writing for the stage I always seem to see thesituations as I create them. We learned with great sadness that The Dowager Marchioness of Salisbury passed away peacefully on Monday 12th December, aged 94. Silent Film Organizations, Festivals & Conferences, http://bioscopic.wordpress.com/2007/06/09/interview-with-the-marchioness-townshend/. Behind the Scenes, 1913; The Convent Gate, 1913; The House of Mystery, 1913; A Strong Man's Love, 1913; Wreck and Ruin/The Love of an Actress/The Story of an Actress/The Gosforth Strike, 1914; The Family Solicitor, 1914; When East Meets West, 1915. All of his activity apparently led him to neglect his home life, and, in 1872 Lord Edward Thynne called upon the Townshend home in London in the Marquis's absence, and absconded with a willing Clementina to France. ------. She remarried Guy Bayley in 2001. He was chairman of the Royal Norfolk Agricultural Association, as his mother had been, and a Deputy Lieutenant of the county for a decade until his divorce in 1960. Townshend later remarried Bernard le Strange. Bradford RN, on 27 September 1962 and they were divorced in 1968. AAB. The moral is the foundation of the play, but its main object, of course, is to interest the public, and that object, I believe, is best gained with the help of melodrama, which is an ingredient of nearly every great play.”, “Then I believe also in absolute realism.

Thirdly, in 2004, he married Philippa Swire, mother of the Conservative MP Hugo Swire, who survives him. Returning to the theme of British women filmmakers in the silent era, meet Gwladys, Marchioness of Townshend. "Conqueror 89" from The Conqueror database, contributions in Parliament by the Marquess Townshend, "Parliamentary career for The Marquess of Townshend", Parliamentary Archives, Papers of the Marquess Townshend of Raynham Hall, https://en.wikipedia.org/w/index.php?title=George_Townshend,_7th_Marquess_Townshend&oldid=980226487, Freemasons of the United Grand Lodge of England, Wikipedia articles needing page number citations from February 2013, Articles lacking reliable references from February 2012, Wikipedia articles incorporating an LRPP template without an unnamed parameter, Articles lacking reliable references from September 2012, Creative Commons Attribution-ShareAlike License, Lady Carolyn Elizabeth Ann Townshend (born 27 September 1940); she married Antonio Capellini on 13 October 1962 and they were divorced in 1971. MARCHIONESS OF TOWNSHEND, THE. Low, Rachael. (215 mm x 127 mm) paper size This interview with her, from The Bioscope in July 1914, hints at someone who had possibly turned to the lowly cinema through frustration at not getting her plays produced on the stage, but she was alert to the potential of the medium, and claims to have been inspired by early films of waves breaking on a sea coast, no less. Standard tuning (fiddle). I am too fond of the stage to wish for the cinematograph to enter into direct competition with it. Women Film Pioneers Project. If I write of the doings of the people of the slums, I want them to look and behave like real slum people; just as when I bring in members of the aristocracy, I want them to look and behave like ladies and gentlemen. A carte-de-visite portrait of Marchioness Townshend (1804-1877). Now they almost kill each other as Jay learns to inline skate. His grandson was knighted in 1588 for gallantry at sea during the battle against the Spanish Armada, and in 1617 another Roger Townshend was raised to the baronetcy – shortly before embarking on the building of the Italianate mansion of Raynham Hall, possibly with the assistance of Inigo Jones.

The heir to Lord Townshend's titles is his elder son Charles, Viscount Raynham, born in 1945.

Gwladys was widowed when John died in 1921. Printed sources: Walker (A Collection of Strathspeys, Reels, Marches, &c.), 1866; No. Townshend was the only son of John Townshend, 6th Marquess Townshend, and Gwladys Ethel Gwendolen Eugenie Sutherst.

I think the time is certainly coming when much more will be done in that direction, in which, at present, we are rather behind other countries.

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